R58 Raven, Woman, Jar of Snails
12 x 12" oil on panel
private collection (sold)
A test sketch to try brown oil paint in place of the Payne's gray I have used up to now for the 'etched' oils. This picture is done in burnt umber. As often happens, the 'sketch' turned out to be a rather interesting picture, especially I think, in the rather stark treatment of the face.
The burnt umber is a smoother, wetter colour to work with compared to other earth colours. It is easier to draw lines in with the stylus, and draws well off a fine brush, without thinning. This workable texture is important for detailed pictures, where many of the outlines are worked negatively, that is, the paint is worked up to a white (or coloured underground) edge, which is left to represent a line. This method of working takes much more time, but is more effective in painting in white lines or areas later, or using a larger blunt instrument for broader lines which never appear as stark and clean as the 'left' areas. And interestingly enough, even the commonly-used masking fluids do not leave the same line, the line that I am after.
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